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except on the 12-string DR-12-7 – a fact that plagued Martin sales reps, who were advised to “convert” dealers to the DM-12-5.Beginning in ’73, certain lower-end models were manufactured in Korea, setting a pattern of multi-country/multi-manufacturers that continued throughout the run.By 1974, the initial Gen II instruments had arrived, and while they retained the spatula headstock and covered truss rod, they turned things up a notch by introducing solid tops.
The number can be seen by looking inside the sound hole. All f-hole Martin archtops have their serial and model numbers stamped on the inside center of the backstripe, roughly under the shadow of the bridge (and best seen from the bass side “f” hole).These serial number apply to all Martin guitars, flat top and arch top.It does not apply to ukes (except for the first year, they do not have a serial number).In a 1979 brochure, these were duly delineated as the 7, 5, and 3 series; models with higher numbers were given higher-quality materials and more-attentive craftsmanship, as well as overall quality and quantity of appointments. Note the “spatula” headstock and Greek Sigma symbol logo.
Its laminated-mahogany back and sides gave it a bright, warm tone. Made by Tokai Gakki, it had a great, percussive low-end attack and remarkable overall balance. In 1980, solid-top Sigmas were re-named numerically to correspond to the Martin model they emulated, and this was the top of the line.The instruments employed economy-minded materials like laminated woods for their tops, sides, and back, but were generally well-constructed.